A technique that utilizes circles as a method of applying paint or any medium that one uses. The circles bring out the subject or it can also camouflage the subject. It depends on the viewer's point of view. See www.circlism.com Painting in the method of Circlism which was first discovered by me in 1985. It was used in 1996 in sketches that I made and finally in 2000 was used with oils on masonite.

Galaxy2

Galaxy2
Monocerotis V838
Showing posts with label Galaxy 2. Show all posts
Showing posts with label Galaxy 2. Show all posts

Monday, November 25, 2013

Carter Sexton Gallery Exhibit Info

Niki Lambro
To: Edward C. Stresino  

Nov 22 at 7:29 PM

Very interesting piece! We'll take it. Here's the info: "The Holiday show and Bazaar"

Dates: opening reception December 7th 5 to 8pm , runs through December 28th

Thanks for participating! Carter Sexton gallery



Carter Sexton Gallery
5308 Laurel Canyon Blvd, North Hollywood, Los Angeles, CA 91607
(818) 763-5050



Tuesday, September 24, 2013

Art Majeur: Circlism Paintings!


 


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Page directly accessible at artmajeur.com/circlism

My Works

                     


About this collection
20 Artworks - My Works

...CIRCLISM...

(sur`kliz`em) n. application of paint by diagramming an image in terms of tiny circles or figures to create an effect of subtle and complex dimensions. A school of painting exemplified by Stresino in the early 21st century United States. {Middle English cercle from old French, from Latin circulus} circle- a plane curve everywhere equidistant from a given fixed point, the center. surklizt n. & adj. sur`kliz`tic adj. Compare pointillism.

My name is Edward C. Stresino.


The breakthrough occured in highschool. In my sophomore year I became fascinated with spontaneous cell separations as a means of constructing and deconstructing visual images. Eleven years later in 1996 I found myself visualizing landscapes in the same terms. As my self-confidence grew I discovered a technique of my own. I refer to this technique as Circlism and it means to paint by diagramming an image in terms of tiny circles or figures. Words can only begin to project the idea which becomes meaningful when the viewer is in front of a full size painting.

As I proceed I feel that each painting is a further step ahead. Each painting is becoming more complex and intricate. I see me paintings as a means to achieve more complete awareness and to penetrate more deeply into contemporary perception.

All my current paintings are 48"x48" inches square which means big in relationship to the minimal images you are looking at on htis website. In order to get the full experience I am now exhibiting the paintings by private appointment. Contact me at my e-mail or P.O.Box which you will find on the contact page.

A Statement about each of my Paintings:

As we enter the world of Circlism we begin to understand the idea of creating or dividing images into bigger or smaller components. In other words, components are visualized in their most particular and integral state of being and then are reintegrated into the composition seen as a whole. This is the enigma that each of us must discover.


Monday, April 28, 2008

Galaxy 2 is a synthesis of many celestial bodies revealing the beauty of our universe. In January 2002, a faint star on the outer edges of the Milky Way flared to 600,000 times the luminosity of the Sun. By April the flare had subsided but its echoes were still reaching Earth years later. This remarkable time lapse bloom is conjured from light bounced back from ever wider shells of debris ejected by V838 Monocerotis during a previous outburst. In the painting this would be the center.
On the left side of the painting is an Eagle Nebula- hewn from a dense cloud of hydrogen by a torrent of plasma, this iconic stagalamite is replete with compact pockets of gas dubbed Evaporating Gas Globules or EGGs. Within many EGGs, protostars are quickening in a race against time as their sustaining gas yolk is boiled away by photoevaporation.
On the bottom right is the Sun with the energy of up to a billion megatons of TNT, solar flares can hurl clouds of plasma into space a velocities approaching the speed of light and cover a region the size of many Earths. This eruption measured over 100,000 kilometers (62,000 miles) in height. Solar flares are believed to result from the violent release of the magnetic energy from the area surrounding sunspots.
On the right side of the painting is Pleiades- the ancient Greeks recognized Pleiades, as the children of Atlas. Their blue veil is a passing dust cloud!
All this information is excerpted from Universe: A Journey from Earth to the Edge of the Cosmos by Nicolas Cheetham.

Galaxy 2-15

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